Shrimp have never been known as powerful creatures, but the Peacock Mantis Shrimp is not an animal that you want to mess with.  (And, for the record, the Peacock Mantis Shrimp is technically a crustacean.)

This colorful little guy has two fist-like limbs called "dactyl clubs," and he can punch aquarium glass hard enough to shatter it without injuring himself at all!  In addition to being an awesome skill, the chemical makeup of the Peacock Mantis Shrimp's dactyl clubs may have some scientific significance for future architecture and material synthesis.  (The main ingredients in the fists of the Peacock Mantis Shrimp are chitin and some crystallized calcium phosphate).

The Peacock Mantis Shrimp can "punch" at a speed of over 50 miles per hour and uses its strength to break the shells of mollusks.

Aquarium owners, in addition to experiencing glass broken by the Peacock Mantis Shrimp, have complained about its aggressiveness and its tendency to eat the other aquarium members.

The bottom line?  The Peacock Mantis Shrimp is awesome, but leave it in the Indo-Pacific where it belongs.

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Sure, cynics can argue that the ALS Ice Bucket Challenge is a faddish, self-promoting waste of water, and people shouldn't need a stupid meme to convince them to fight life-threatening diseases. They can also bite their damn tongues, because that stupid meme has raised more than $50 million for people like Anthony Carbajal and his family.

Could we have done it without the celebrities? Without the water? Without covering Amy Schumer in an entire can of clam chowder? Yes, undoubtedly. But we didn't. So if some celebrities and a bunch of your Facebook friends want to jump on the bandwagon, let them. Turns out their money can still be used for research and drug development even if you don't feel it was given with the purest intentions.

Anthony, who has seen ALS claim his loved ones and now has to prepare for it to destroy him, too, doesn't really have the luxury of judging.

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Richard Attenborough, who was honored for his helming and production of the 1982 Oscar best picture “Gandhi” but was best known to American audiences for his role in Steven Spielberg’s “Jurassic Park” and its first sequel as park creator John Hammond, died on Sunday, his son tells BBC News. He was 90.

The stocky British filmmaker was awarded a life peerage by Queen Elizabeth II in 1993 for his stage work and for his efforts behind and in front of the camera to promote British cinema.

While Attenborough had been a prominent character actor in his native country since the early 1940s, he also achieved much as a producer, motion picture executive and cultural impresario. At various times he was chairman of the British Film Institute, Channel 4, Goldcrest Films, the Royal Academy of Dramatic Arts and Capital Radio and a director of the Young Vic and the British Film Institute. In the late ’70s, he helped preserve and restore London’s Duke of York Theater.

A career in film directing began in 1969 with an adaptation of Joan Littlewood’s biting musical satire “Oh! What a Lovely War.” Few of his directing efforts achieved the stature of “Gandhi,” which he had championed for more than 20 years. But there were noteworthy attempts to deal with historical and biographical subjects including “Cry Freedom,” about South African apartheid; “Chaplin,” a biography of the immortal screen comic; and “Shadowlands,” based on William Nicholson’s play focusing on British writer C.S. Lewis.

“I have no interest in being remembered as a great creative filmmaker,” he once said. “I want to be remembered as a storyteller.”

Despite more than 50 years as a stage and screen actor — including supporting roles in adventure pics “The Flight of the Phoenix” (1965) and “The Sand Pebbles” (1966) and “Doctor Dolittle” (1967) — it was only in 1992 that Attenborough achieved widespread international recognition for his starring role in “Jurassic Park,” the largest-grossing film ever at the time. (Later acting credits included Kenneth Branagh’s “Hamlet” and the Cate Blanchett starrer “Elizabeth.”)

In the late 1950s, in an effort to enhance the quality of his movie assignments, Attenborough united with writer-director Bryan Forbes to create Beaver Films. Their first effort, 1960’s “The Angry Silence,” was a sharply defined working-class drama, part of the new generation of realistic British films. In addition, Beaver produced “The League of Gentlemen,” “Whistle Down the Wind,” “The L-Shaped Room” and “Seance on a Wet Afternoon” between 1961 and 1964. The last film, in which Attenborough co-starred with Kim Stanley, brought him the British Academy Award along with his work in “Guns at Batasi.” The positive reception for “Seance” in the U.S. coupled with his supporting role in hit WWII actioner “The Great Escape” in 1963 led to a career as a Hollywood character actor starting with “The Flight of the Phoenix” (1965) and “The Sand Pebbles” (1966).

In 1967 he appeared in the big-budget musical “Doctor Dolittle,” which brought him a Golden Globe for supporting actor.

With the help of British actors including Laurence Olivier, John Gielgud, Ralph Richardson, John Mills and Michael Redgrave, Attenborough was able to persuade Paramount Pictures to bank his debut directing effort, an adaptation of Joan Littlewood’s WWI fantasia “Oh What a Lovely War.” Though not a financial success in the U.S., the film was honored with a Golden Globe and six British Academy Awards.

Attenborough continued to act in films through the early ’70s in such efforts as “David Copperfield,” “A Severed Head,” “Loot” and the chilling “10 Rillington Place,” in which he played a mass murderer. By 1972 he had the money to shoot biographical adventure “Young Winston,” based on the early life of Winston Churchill. The pic was well received, but his next film, 1977’s “A Bridge Too Far,” sported an international name cast but was a $25 million flop.

To produce and direct his next film, a biography of the life of Indian pacifist leader Mohandas K. Gandhi, Attenborough beat the bushes for 20 years and redoubled his efforts only after Lean abandoned a similar project. He turned down an offer to be associate director of Britain’s National Theater, mortgaged his house, sold his cars, pawned his paintings, took on a number of subpar roles in films such as “Brannigan,” “Rosebud” and “Ten Little Indians” and made a poor directing choice in “Magic” for producer Joseph E. Levine, basically done as a favor to interest Levine in financing “Gandhi.”

With the help of Goldcrest Films and Indian’s National Film Development Corp., Attenborough had financing in hand by the end of the 1970s. He passed on several prominent actors such as Alec Guinness and Dustin Hoffman to cast a highly regarded Royal Shakespeare Company actor, Ben Kingsley, who was part Indian.

The film copped eight Oscars, including two for Attenborough as best director and for producing the best picture. Attenborough detailed his struggle to make the film in a book, “In Search of Gandhi,” published in 1982.

In 1985, he was named chairman of Goldcrest just after he completed work on a failed film adaptation of the Broadway musical “A Chorus Line.” His next film, also a personal project, was “Cry Freedom,” the story of British journalist Donald Woods (played by Kevin Kline) and South African activist-martyr Steven Biko (a role for which Denzel Washington received a supporting actor Oscar nomination).

His 1992 biopic “Chaplin” was less successful, though Robert Downey Jr. drew a deserved Oscar nomination for best actor. The following year Attenborough directed Anthony Hopkins and Oscar nominated Debra Winger in “Shadowlands,” which proved both a commercial and critical success.

That was the same year Attenborough’s face finally become familiar across America (and the world) in “Jurassic Park,” Spielberg’s monumental blockbuster based on Michael Crichton’s novel. It was his first acting assignment in 13 years and led to further work in front of the camera: He played Kris Kringle in John Hughes’ remake of “The Miracle on 34th Street” for the Fox Network, and over the next several years appeared in roles in Kenneth Branagh’s “Hamlet,” the Cate Blanchett starrer “Elizabeth” and telepic “The Railway Children” (2000). In 2006 he appeared in “Welcome to World War One,” a documentary about the making of “Oh! What a Lovely War.”

Attenborough was still directing, too. In 1996 he helmed “In Love and War,” starring Chris O’Donnell and Sandra Bullock in the story of the young Ernest Hemingay and a nurse he loved after he was injured in WWI. His 1999 film “Grey Owl” starred Pierce Brosnan as a Canadian fur trapper who became a conservationist. Attenborough attempted a film that, like “Gandhi,” carried a sociopolitical message, but Variety called the direction “old fashioned.”
After an absence of eight years, Attenborough directed the sentimental tale “Closing the Ring” (2007), starring Christopher Plummer and Shirley MacLaine.

In May 2012 Attenborough teamed with Martin Scorsese and Anthony Haas to develop the film “Silver Ghost,” a drama based on the true story of the founding of Rolls Royce. Attenborough was to direct, but he was in rapidly declining health after suffering a stroke in 2008 that left him in a wheelchair.

The oldest son of an Anglo-Saxon scholar and university administrator, Attenborough was the eldest of three sons. (Brother David is a naturalist behind many acclaimed BBC documentary series). His mother, the former Mary Clegg, was the daughter of art historian Samuel Clegg.

Born in Cambridge, he was already involved in amateur theatrics by his teens. In 1940 Attenborough won a scholarship to the Royal Academy of Dramatic Arts in London, making his professional debut while still a student in a production of Eugene O’Neill’s “Ah Wilderness!” In 1942 he made his screen debut in Noel Coward’s “In Which We Serve,” directed by David Lean.

RADA honored him with the Bancroft Medal for fine acting in 1942 and, upon leaving school, he made his West End debut in Clifford Odets’ “Awake and Sing.” Significant roles in productions of “Twelfth Night” and “Brighton Rock” followed before Attenborough enlisted in the Royal Air Force, becoming part of its film unit. He also flew film reconnaissance missions over Germany during the war.

In 1946 he signed a contract with producers John and Ray Boulting. He reprised his stage role in the film version of “Brighton Rock,” followed by “The Guinea Pig” in 1948 and “The Gift Horse” in 1952.

His film career sputtered in the 1950s: Projects like “Eight O’Clock Walk” and “The Baby and the Battleship” were abysmal. So he returned to the stage in “To Dorothy, a Son,” “Double Image” and Agatha Christie’s “The Mousetrap” (appearing in the original cast as Detective Sergeant Trotter), which became England’s longest-running show.

Beginning in 1956, the film side picked up when he appeared for the Boultings in a series of social satires including “Private’s Progress” and “I’m All Right, Jack.”

His autobiography “Entirely Up to You, Darling” was published in 2008.

Attenborough was married in early 1945 to actress Sheila Sim, with whom he had three children, Jane, Charlotte and Michael, all of whom worked in the performing arts.

Upon hearing about his death, Steven Spielberg issued the following statement about Attenborough: “Dickie Attenborough was passionate about everything in his life – family, friends, country and career. He made a gift to the world with his emotional epic “Ghandi” and he was the perfect ringmaster to bring the dinosaurs back to life as John Hammond in ‘Jurassic Park.’ He was a dear friend and I am standing in an endless line of those who completely adored him.”

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Let me introduce to you the snake that reinforces the phrase “Never trust a pretty face”- the boomslang snake.

Adding to the repertoire of s#!t scary snakes, Dispholidus typhus is a swift, agile creature whose venom certain packs a punch. Thankfully, it’s shy, non-aggressive and difficult to track down in its home of sub-Saharan Africa, but that hasn’t stopped it from rightfully earning a fearsome reputation.

Boomslangs spend most of their time chilling out in trees in a variety of environments, from coastal thickets to savannahs. These snakes exhibit sexual dimorphism, meaning that the males and females display obvious morphological differences. The females are typically brown, whereas the males can display a variety of bright colors, from greens and yellows to pink-ish reds. A characteristic feature of these snakes is their strikingly large eyes that take up a large proportion of their heads. Youngsters are particularly beautiful because their eyes are an iridescent green, but don’t let these puppy dog eyes fool you. This snake will mess you up.

For many years, it was believed that this species was harmless, but world-renowned herpetologist Karl P. Schmidt learned the hard way that this snake is, in fact, badass. Back in 1957, whilst examining a young boomslang, Schmidt was bitten on the thumb. Given that nobody knew these snakes were deadly, Schmidt thought nothing of it and carried on as normal. In just one day, he died of respiratory arrest and cerebral hemorrhage; an event that quickly spurred researchers to examine this snake’s venom, which unsurprisingly turned out to be highly toxic.

Boomslangs are rear-fanged, meaning that they’re equipped with large teeth at the back of their mouths. Consequently, to inject their prey with venom, the snakes have to open their mouths very wide, around 170 degrees.

What this snake’s venom does to you would not be out of place in a horror movie. It’s hemotoxic, meaning that it destroys red blood cells, disrupts the clotting process and causes tissue and organ degeneration. What this unfortunately means is that massive hemorrhage ensues, causing the victim to bleed from the gums, nose and other orifices. Sometimes, the body of the victim will turn blue because of the widespread internal bleeding. Adding insult to injury, the process can be extremely slow, sometimes taking 5 days for the victim to die of internal bleeding. Thankfully, there is an antivenom, so if you’re bitten by one of these guys- don’t hang about.

Happy nightmares. 

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Jan Harding and her husband had just arrived at a Utah restaurant for a relaxing lunch with friends when she filled her cup with sweet tea from a self-serve beverage station.

The 67-year-old grandmother took one sip before spitting it out and exclaiming to her husband: "I think I just drank acid."

In fact, the tea was laced with a highly toxic industrial cleaning solution meant for degreasing deep fryers, authorities said. It contained the odorless chemical lye, the active ingredient in drain cleaners.

Four days later, Harding was in critical condition Thursday at a Salt Lake City hospital's burn unit, unable to talk and fighting for her life, lawyer Paxton Guymon said. She hasn't improved since Sunday, when she and her husband went to Dickey's Barbecue Pit in South Jordan after church.

Investigators and the restaurant manager have told the Hardings that a worker mistook the cleaning product for sugar and accidentally mixed large quantities of it into the iced-tea dispenser, Guymon said.

"It's disturbing that this kind of toxic, poisonous material would be in the food prep area and somehow find its way into the iced tea vat," the attorney said. "I don't know how something like that can happen."

South Jordan police are still investigating how the chemical ended up in the sweet-tea container, but they think it was accidental, Police Cpl. Sam Winkler said. South Jordan is a suburb of 60,000 about 15 miles south of Salt Lake City.

Investigators are reviewing video footage from inside the restaurant and interviewing staff who worked that day and in the days leading up to the incident.

They have determined Harding is the only victim, Winkler said. It appears she was the first to drink the tea that day, and restaurant employees dumped it out after she was burned, he said.

John Thomson, owner of the Dickey's Barbecue South Jordan franchise, said in a statement Thursday that he's praying for Jan Harding and cooperating with investigators. He said he would refrain from commenting on the specifics of what happened out of respect for the Hardings. His restaurant is one of 400 Dickey's around the country in the Dallas-based chain.

Guymon said he will wait for the police investigation to finish before determining what legal action to take.

The chemical, also known as sodium hydroxide, comes in both liquid and powder form. The one the worker added to the tea was a powder, Guymon said.

The chemical also is in products such as Drano, said Tom Richmond, professor of chemistry at the University of Utah. "It would start dissolving your insides," he said.

Doctors are trying to determine if it caused any tears in Harding's esophagus or stomach, Guymon said. The woman lives in the Salt Lake City suburb of Sandy with her husband of 47 years, Jim Harding. They have three adult children and six grandchildren.

Jim Harding and the couple's children are by her side at the hospital, praying for her recovery, Guymon said. They declined to comment through the attorney, who spoke on their behalf.

It's unclear if the employee who added the chemical still works at the restaurant or if anyone there faced any kind of disciplinary action. Guymon didn't know, and a Dickey's corporate spokesman didn't immediately respond to a request for comment.

The restaurant has remained open since the incident, said Jeff Oaks, Food Protection Bureau manager at the Salt Lake County Health Department. His office inspected the establishment Monday and found all chemicals properly labeled and separated from food items.

The health department is awaiting results of the criminal investigation to determine if it should issue any violations. It's unlikely the restaurant would be fined or shut down, Oaks said. The department focuses on education and prevention over punitive measures, he said.

Health officials aren't aware of anything like this ever happening in Salt Lake County before. Oaks said restaurant-goers don't need to be worried.

"I believe this to be an isolated incident," he said.

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